Dubuffet | Barceló

June 30 - September 17, 2014

Miquel Barceló, Huitres II, 1988
Mixed media on canvas
54 1/2 x 79 inches (138.4 x 200.7 cm)
Courtesy Acquavella Galleries
Art © 1988 Miquel Barceló / Artists Rights Society (ARS), New York / ADAGP, Paris
Jean Dubuffet, Chaussée grise, 1957
Oil on canvas
38 3/16 x 51 1/8 inches (97 x 130 cm)
Courtesy Acquavella Galleries
© 2014 Artists Rights Society (ARS), New York / ADAGP, Paris
Jean Dubuffet, Cinq et un six, 1956
Oil on canvas
28 11/16 x 23 9/16 inches (73 x 60 cm)
Courtesy Acquavella Galleries
© 2014 Artists Rights Society (ARS), New York / ADAGP, Paris
Miquel Barceló, Eric Mézil, 2011
Bleach, chalk and charcoal on canvas
61 x 35 7/8 inches (155 x 91 cm)
Courtesy Acquavella Galleries
Art © 2011 Miquel Barceló / Artists Rights Society (ARS), New York / ADAGP, Paris

Press Release

Dubuffet | Barceló

June 30 - September 17, 2014

"When I was seventeen, I read some of Dubuffet’s writings while barely knowing his
paintings. I loved the descriptions of his works and materials – his writings read like
culinary recipes with jam, butter, boiled down ingredients, etc ... Both back then and today I admire his work’s profound osmosis with poetry and writing.”
-­‐ Miquel Barceló, 2014

Acquavella Galleries is pleased to present Dubuffet | Barceló, an exhibition of paintings by French postwar painter Jean Dubuffet and acclaimed Spanish artist Miquel Barceló, on view from June 30 to September 19, 2014. The exhibition
will feature distinct bodies of work from each artist – several of Barceló’s recent white paintings and dark bleach portraits will be shown alongside a selection of Dubuffet’s landscapes and portraits. Since he was a teenager, Barceló has been drawn to Dubuffet’s poetic writings and unconventional aesthetic. In juxtaposing portraits and landscapes by both artists, this exhibition aims to highlight
their thematic and material affinities.

Dubuffet employed various techniques to represent soil in his series of Texturologies from the 1950s. Acting as an inventory of various types of terrain, these paintings celebrate the nuances of material. Dubuffet initially intended to create the series as an assemblage evocative of earth’s expanse that could be endlessly extended; however, his attachment to these initial paintings
prevented him from producing this assemblage, and they remain as individual works. With their encrusted, tactile surfaces, Dubuffet’s Texturologies evoke the textures of the earth. This obsession with formlessness extends to Dubuffet’s portraits, several of which are included in this exhibition. His methods of rendering the human figure reflect his fascination with primitive and naive art practices.

Barceló’s most recent series of white paintings also pay tribute to boundless terrain. An artistic nomad, he has traveled widely, relying on cultural and geographic diversity for inspiration. Earthly textures – sand or waves of the ocean, for example – have long influenced his painting practice. Several heavily impastoed canvases, in particular, pay tribute to the coastal terrain of his native Majorca. The intensely textured Huitres II recalls Barceló’s travels across the arid, rugged terrain of the Sahara. This work is simultaneously devoid of and brimming with color – indicating the heat, light, and texture of the desert. Barceló’s recent portraits are
similarly personal. These paintings, made with bleach, chalk, and charcoal on dark canvas, present ethereal renderings of the artist’s colleagues and friends.

Jean Dubuffet (1901 – 1985) was born in Le Havre, France. In 1918 he moved to Paris to study at the Académie Julian, which he left after six months to study independently. After abandoning painting to work at his family’s wine business for several years, Dubuffet fully committed himself to being an artist in 1942. His fascination with Hans Prinzhorn's Artistry of the Mentally Ill deeply influenced
his artistic practice, and led to his coining of the term “Art Brut.” For Dubuffet, the raw and uninhibited expression of Art Brut provided a fresh and alternative direction to what he saw as the stifling decorum and conformity of French culture and the Western tradition. Painting in a deliberately crude manner, Dubuffet developed a technique of thick impasto, called haute pâte, and frequently
incorporated unorthodox materials ranging from cement and gravel to leaves, dust, and even butterfly wings into his works. His controversial materials and mark-making solidified his legacy as an iconoclastic figure in the canon of postwar European painting. His work has been exhibited in and collected by major public and private institutions across the world.

Miquel Barceló (b. 1957) was born in Felanitx, Majorca and divides his time between Majorca, Paris, and Mali. The youngest artist to ever show at the Musée du Louvre, Barceló represented Spain at the 53rd Venice Biennale and drew wide acclaim for his
participation in Documenta VII in Kassel, Germany. He has had retrospectives at renowned institutions, including the Centre Pompidou, Paris; Museo Nacional Centro de Arte Reina Sofia, Madrid; Museo Rufino Tamayo, Mexico; and the Guggenheim Museum, Bilbao, Spain. His work is included in many esteemed public and private collections worldwide.

Download Press Release  PDF (0.8 MB)

Selected Press

The New York Times  Review by Karen Rosenberg  September 12, 2014   PDF (1.3 MB)
ArtInfo  5 Can't-Miss End of Summer Shows  Auugst 27, 2014   PDF (334 K)
Time Out New York Online  Top 5 New York Art Shows this Week  August 18, 2014   PDF (214 K)
Time Out New York  July 17, 2014   PDF (472 K)
Exhibition Checklist   PDF (2.3 MB)

More Info

Miquel Barceló  Artist Page  View
Jean Dubuffet  Artist Page  View

Acquavella Galleries

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